“… I was terrified to see a face from the inside, but I was far more afraid of seeing the bare, raw head without a face.”
This is from Face and Mask: A Double History by Hans Belting, translated by Thomas S. Hansen and Abby J. Hansen (2017):
… “There are a lot of people, but there are a lot more faces, because everyone has several. There are some people who wear one face for years; naturally it gets worn away,” and it “stretches like gloves that one has worn while traveling.
[line break added] “The question, of course, is — because they have several faces — what do they do with the others? They save them so that their children may wear them.” But maybe the dog runs away with one of them. “And why not? A face is a face, other people put on their faces amazingly quickly, one after the other, and wear them out.”
[line break added] They have barely reached the age of forty, and they’re using their last one. “They aren’t used to going easy on their faces, they’ve worn through their last one in eight days, it gets holes in it … and then, after a while, the bottom layer, the non-face, comes out and then they walk around with that.” [Rainer Maria Rilke]
… The non-face seems to be borne out in the nightmares of Rilke’s young protagonist Malte most horribly when he meets “the woman” on a corner of the Rue Notre-Dame-des-Champs. She “had completely fallen into herself, bent over, with her face in her hands.”
[line break added] His own footsteps in the empty street frighten her so much that she jerks upward, “out of herself,” so violently, “that her face remained there in her two hands. I could see it, its hollow form lying there.” It costs him some effort not to look at the thing that had “torn off in her hands. I was terrified to see a face from the inside, but I was far more afraid of seeing the bare, raw head without a face.”
My most recent previous post from Belting’s book is here.
-Julie