Unreal Nature

July 17, 2015

The Deliberate Blunting of Wonder

Filed under: Uncategorized — unrealnature @ 5:44 am

… We do not like mists in this era …

This is from the essay ‘The Illusion of the Two Cultures’ found in The Star Thrower by Loren Eiseley (1978):

… [George Santayana] commented, in a now-forgotten essay, that one of the strangest consequences of modern science was that as the visible wealth of nature was more and more transferred and abstracted, the mind seemed to lose courage and to become ashamed of its own fertility. “The hard-pressed natural man will not indulge his imagination,” continued Santayana, “unless it poses for truth; and being half-aware of this imposition, he is more troubled at the thought of being deceived than at the fact of being mechanized or being bored; and he would wish to escape imagination altogether.”

… Man, the tool user, grows convinced that he is himself only useful as a tool, that fertility except in the use of the scientific imagination is wasteful and without purpose, even, in some indefinable way, sinful.

… It may now reasonably be asked why one who has [ … ] spent his life among the stones and broken shards of the remote past [Eiseley was an anthropologist — among other things] should be writing here about matters involving literature and science. While I was considering this with humility and trepidation, my eye fell upon a stone in my office. I am sure that professional journalists must recall times when an approaching deadline has keyed all their senses and led them to glance wildly around in the hope that something might leap out at them from the most prosaic surroundings. At all events my eyes fell upon this stone.

Now the stone antedated anything that the historians would call art; it had been shaped many hundreds of thousands of years ago by men whose faces would frighten us if they sat among us today. Out of old habit, since I like the feel of worked flint, I picked it up and hefted it as I groped for words over this difficult matter of the growing rift between science and art. Certainly the stone was of no help to me; it was a utilitarian thing which had cracked marrow bones, if not heads, in the remote dim morning of the human species. It was nothing if not practical. It was, in fact, an extremely early example of the empirical tradition which has led on to modern science.

The mind which had shaped this artifact knew its precise purpose. It had found out by experimental observation that the stone was tougher, sharper, more enduring than the hand which wielded it. The creature’s mind had solved the question of the best form of the implement and how it could be manipulated most effectively. In its day and time this hand axe was as grand an intellectual achievement as a rocket.

… One could still feel him crouching among the stones on a long-vanished river bar, turning the thing over in his hands, feeling its polished surface, striking, here and there, just one more blow that no longer had usefulness as its criterion. He had, like myself, enjoyed the texture of the stone. With skills lost to me, he had gone on flaking the implement with an eye to beauty until it had become a kind of rough jewel, equivalent in its day to the carved and gold-inlaid pommel of the iron dagger placed in Tutankhamen’s tomb.

All the later history of man contains these impractical exertions expended upon a great diversity of objects, and, with literacy, breaking even into printed dreams. Today’s secular disruption between the creative aspect of art and that of science is a barbarism that would have brought lifted eyebrows in a Cro-Magnon cave. It is a product of high technical specialization, the deliberate blunting of wonder, and the equally deliberate suppression of a phase of our humanity in the name of an authoritarian institution, science, which has taken on, in our time, curious puritanical overtones.

… The convenient label “mystic” is, in our day, readily applied to men who pause for simple wonder, or who encounter along the borders of the known that “awful power” which Wordsworth characterized as the human imagination. It can, he says, rise suddenly from the mind’s abyss and enwrap the solitary traveler like a mist.

We do not like mists in this era, and the word imagination is less and less used. We like, instead, a clear road, and we abhor solitary traveling.

… it is one of the disadvantages of big science, just as it is of big government, that the availability of huge sums attracts a swarm of elbowing and contentious men to whom great dreams are less than protected hunting preserves.

[ … ]

… If, after the ages of building and destroying, if after the measuring of light-years and the powers probed at the atom’s heart, if after the last iron is rust-eaten and the last glass lies shattered in the streets, a man, some savage, some remnant of what once we were, pauses on his way to the tribal drinking place and feels rising from within his soul the inexplicable mist of terror and beauty that is evoked from old ruins — even the ruins of the greatest city in the world — then, I say, all will still be well with man.

And if that savage can pluck a stone from the gravel because it shone like crystal when the water rushed over it, and hold it against the sunset, he will be as we were in the beginning, whole — as we were when we were children, before we began to split the knowledge from the dream.

My most recent previous post from Eiseley’s book is here.




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